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Lyrics We Never Gonna Meet Again

Written By Friday, May 20, 2022 Add Comment Edit

2012 single by Taylor Swift

"Nosotros Are Never Ever Getting Dorsum Together"
Cover artwork of Taylor Swift's single "We Are Never Ever Getting Back Together"
Single by Taylor Swift
from the album Cerise
Released August 13, 2012 (2012-08-13)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Dance-pop
  • popular rock
  • bubblegum pop
  • electropop
  • electro-folk
Length three:12
Label Big Machine
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(south)
  • Max Martin
  • Shellback
  • Taylor Swift[ane]
Taylor Swift singles chronology
"Both of U.s."
(2012) 		"We Are Never E'er Getting Dorsum Together"
(2012) 		"Begin Once more"
(2012)
Music video
"Nosotros Are Never Ever Getting Back Together" on YouTube

"We Are Never Ever Getting Back Together" is a song by American singer-songwriter Taylor Swift, taken from her 4th studio album, Cherry (2012). Information technology was released for digital download and to U.S. pop radio as the pb single from Red on August 13, 2012, by Big Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-pop and popular rock song, "We Are Never Ever Getting Dorsum Together" contains pulsing synthesizers, candy guitar riffs, bass drums, and a spoken-word span. Its lyrics express Swift'due south frustration with an ex-lover who wants to rekindle their relationship. An alternating version was released to U.South. country radio on August 21, 2012.

Music critics praised the runway for its catchy melody and radio-friendly sound, though some described its lyrics as subpar for Swift'southward songwriting abilities. The song appeared in year-end lists past Rolling Stone, Time, and The Hamlet Voice. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top five in Australia, Republic of ireland, Israel, Nippon, and the U.K. On the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number i the post-obit calendar week, registering ane of the biggest single-week jumps in nautical chart history. The single spent a record-breaking nine consecutive weeks topping the Hot Country Songs chart, and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S.

The music video for the song was released on Baronial 30, 2012. The accolades that "Nosotros Are Never E'er Getting Back Together" received include a Billboard Music Award for Top Country Song, a Grammy Award nomination for Record of the Year, a CMT Music Award nomination for Best Music Video, and a People'due south Option Award nomination for Favorite Song. Swift included the song on the gear up lists of three of her globe tours: the Red Tour (2013–14), the 1989 World Bout (2015), and Reputation Stadium Tour (2018). A re-recorded version of the song is featured on Red (Taylor's Version), Swift'south 2021 re-recording of her 2012 album.

Background and release [edit]

Later writing Speak Now (2010) entirely solo, Swift opted to interact with dissimilar songwriters and producers for Red. Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "We Are Never E'er Getting Back Together" presently after a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her old flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "break upwardly, become dorsum together, interruption upwards, get back together, but, ugh, the worst". When Martin suggested that they write near the incident, Swift began playing the guitar and singing, "Nosotros are never e'er......", and the song flowed rapidly afterwards. She described the procedure as one of the nearly humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking about breakups can exist heard before the final chorus.[two]

The single was the lead single from Blood-red.[three] Swift premiered the single on August xiii, 2012, during a live chat on Google+[4] with the song released on Google Play that twenty-four hour period[5] for digital download and to iTunes and Amazon.com the next day, August 14.[half-dozen] [7] A lyric video also premiered on Swift's official Vevo that same day.[8] The song was released to Developed Gimmicky radio stations on August xiii, 2012[9] and to mainstream radio stations the next day.[10] The vocal was released to land radio on August 21, 2012.[eleven] The music video for the song premiered on August thirty, 2012.[12] A limited edition individually numbered CD unmarried was released to Swift's official store and Amazon.com on September four, 2012. The limited edition CD single was packaged with a "We Are Never Ever Getting Back Together" T-shirt and backpack.[13] The CD single was also bachelor for private buy.[14] The CD single was released exclusively to United states of america Walmart stores the same twenty-four hour period.[15]

Composition and lyrics [edit]

The three-infinitesimal-and-twelve-2nd song[v] features electronic heavy production accompanied to acoustic guitars, a banjo, and a pop music song styling, a musical transition for Swift.[16] Information technology was written in the key of Yard Major with a common time signature and a slow tempo of eighty-six beats per infinitesimal, with Swift's vocals spanning one octave and v notes, from K3 to Ev.[17] The track features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic pulsate crush. The country radio release featured a different instrumental organisation. The alternate mix replaced the guitar, drum machine, and synthesizers with a mandolin, dabble, steel guitar and snare drums.[18] The song was written by Swift, along with Martin and Shellback.[18] [nineteen] The lyrics discuss Swift'south frustration towards a former male person lover who wants to rekindle their relationship. Jonathan Keefe of Camber Mag describes it equally a bubblegum popular number[xx] [21] while AllMusic categorized the song under the dance-popular genre.[22] James Lancho, reviewing the album Cherry-red called the song "sassy popular-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the single "saucy electro-pop".[24] The New York Times dubbed it a "snarky electro-folk tune".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard 4.5/5[26]
Mutual Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Village Vocalization felt that the vocal, while "good", was "not Swift at her all-time" and speculated that the decision to release it as a lead unmarried was made for commercial reasons: "I doubt 'Never Ever' is even close to being the best vocal on Cerise; it's a teaser, an indication to her fans of what's coming upward. That sounds like commercial calculation of the worst kind, but I don't retrieve information technology is. Swift's connection with her audience is possibly more of import than her connection with her boyfriends. And there is one bright touch: the spoken bit that comes afterwards the middle eight."[30] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[eighteen] While describing the song as "joyous", he nevertheless expressed business organisation that the vocal's "juvenile sensibilities" marked a regression following Swift'south work on Speak Now.[18] Jody Rosen of Rolling Stone noted that the song's "hooks, plural, have a zing that's more Stockholm than Nashville. But it's unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-girl patois. And this fleck – "I'm just, I mean, this is exhausting. Like, we are never getting back together. Like, ever" – might be the most sublime spoken-word interlude in popular since Barry White died."[29]

Marah Eakin of The A.V. Club commented on "what a good song it is": "With its thumping boot pulsate, clipped syncopation, and mildly snarky lyrics, it'south a teen dream in the vein of Swift's other sing-forth jams similar "Love Story" or "You Vest with Me."[31] Kevin Coyne of Country Universe gave the song a failing D grade, calling information technology a "huge step astern".[32] James Montgomery of MTV felt the "fantastic" vocal may "represent a turning signal in her career ... Swift no longer has whatsoever interest in existence the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to boss radio ... all shiny, silvery guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it equally "i of the catchiest tunes she'south ever penned".[34] Jonathan Keefe of Slant Magazine described "the melodic hook" as the song's all-time attribute only criticized Swift'due south "stilted phrasing". He described her vocal operation as a "consummate misfire", pointing out that her voice was at its "about unpleasant and nasal". However, Keefe warned that it was "premature" to say the "full-on pop" song "signals anything more than a temporary breakup".[xx] David Malitz of The Washington Post found the song immature and remarked, "the chorus is tricky only if this is representative of what awaits on Red, it'due south hard to be likewise excited".[35] Glenn Gamboa of Newsday described information technology as "anthemic in a slick pop style, rather than her usual mod country manner ... Office of T. Swizzle'due south charm is the manner she makes her songs sound 18-carat and conversational and 'Never Ever' is no exception".[36] Billy Dukes of Taste of Country stated that "[Swift] captures the anger of young love gone wrong improve than anyone since, well…[Taylor] Swift" and that the song's melody is "difficult to embrace chop-chop."[37] Nonetheless, Camille Mann of CBS News considered the song to be "catchy".[38]

"We Are Never Always Getting Back Together" featured on 2012 year-cease lists by Rolling Stone (second),[39] Time (fourth),[40] The Guardian (fifth),[41] The Village Voice 's Pazz & Jop critics' poll (sixth),[42] PopMatters (11th),[43] NME (24th),[44] and Consequence (40th).[45] The unmarried was named the 169th best vocal of 2010–2014 on Pitchfork's "The 200 Best Tracks of the Decade So Far (2010-2014)" listing.[46] It also received a Grammy nomination for Record of the Twelvemonth for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the song as the 71st all-time vocal of the 2010s.[48] Rolling Rock ranked the vocal every bit the thirteenth-best female person country song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their list of the all-time 2010s popular songs.[fifty]

Accolades [edit]

Year Organization Award/work Result Ref
2012 Guinness Earth Records Fastest Selling Single in Digital History Won [51]
2013 Academy of State Music Awards Best Music Video Nominated [52]
Billboard Music Awards Top Streaming Vocal (Video) Nominated [53]
Top Country Vocal Won
BMI Awards Award-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Tape of the Year Nominated [56]
MTV Video Music Awards Nihon All-time Female Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Twelvemonth Nominated [58]
Myx Music Award Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Song Nominated [lx]
Argentina Nickelodeon Kids' Choice Awards Favorite International Song Nominated [61]
People's Option Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Break Upward Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Single of the Year Nominated
Teen Choice Awards Pick Pause-Up Song Nominated [66]
Choice Country Song Won
MTV Millennial Awards Hit Chicle del Año (Catchiest Hitting of the Year) Won [67]
Hito Music Awards All-time Western Song Won [68]
2014 World Music Awards World's Best Vocal Won [69]
World's Best Video Nominated
ASCAP Awards Most Performed Song Won [lxx]
BMI Pop Awards Laurels-Winning Vocal Won [71]

Commercial operation [edit]

In the U.South., "We Are Never Always Getting Back Together" debuted at number 72 on the Billboard Hot 100 nautical chart calendar week ending August 25, 2012, based on two days of airplay.[72] It rose to number ane the following week, registering one of the biggest single-calendar week jumps in chart history.[73] Giving Swift her outset Hot 100 number one, information technology made Swift the land artist with the most top-x nautical chart entries (eleven, tying with Kenny Rogers).[74] It spent two consecutive weeks at number one[75] and was the first country song to spend three or more weeks at number one after Kenny Rogers's "Lady" (1980).[76] The single stayed in the tiptop x for thirteen non-consecutive weeks.[77] On the Radio Songs chart, "We Are Never E'er Getting Dorsum Together" entered at number 25, the highest debut for a song by a female person country creative person.[78] It peaked at number three for iii non-consecutive weeks, giving Swift her 4th top-x entry.[79] On the Hot Digital Songs chart, "We Are Never Ever Getting Dorsum Together" debuted at number i with first-week sales of 623,000 digital copies in the week ending September 1, 2012, setting a tape for the fastest-selling digital single past a female artist in Billboard nautical chart history.[note 1]

Portrait of Connie Smith

The single debuted at number 13 on the Hot Country Songs chart week catastrophe September 1, 2012, based on airplay solitary.[82] After Billboard changed the methodology for the chart, incorporating digital sales and streaming into chart rankings in addition to airplay, "We Are Never Ever Getting Back Together" ascended to number 1 for the chart dated October xx, 2012, giving Swift her seventh Hot Country Songs number one.[83] This prompted industry debate over the condition of Swift as a country artist, given that "We Are Never E'er Getting Dorsum Together" received lukewarm reception at land radio and never reached the meridian ten of the Country Airplay chart, and was more favorably received at pop radio.[84] It remained on the acme spot of the Hot Country Songs for nine consecutive weeks, breaking the eight sequent weeks tape of Connie Smith's "Once a Day" (1965) for the longest unbroken run at number one for a female person artist.[85] The vocal spent a total of ten weeks at number i,[86] a career best for Swift and a tape for the longest-run at number one for a female person artist.[annotation 2]

"We Are Never Ever Getting Back Together" peaked inside the meridian ten of Billboard airplay charts including Adult Contemporary, where information technology reached number 10 for seven non-consecutive weeks,[89] Developed Top 40, where it reached number seven,[90] and Mainstream Meridian 40, where information technology peaked at number two for iv non-consecutive weeks.[91] Roughly 2 months afterward its release, the single surpassed 2 one thousand thousand U.Due south. digital sales by September 2012, making Swift the first country artist ii have six digital singles each sell over two million copies.[92] By July 2019, "We Are Never Always Getting Back Together" had sold 4.1 one thousand thousand copies in the U.S.[93] The Recording Industry Clan of America (RIAA) certified the unmarried half dozen times platinum, denoting six million units based on sales and streaming.[94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift'southward second number one post-obit "Today Was a Fairytale" (2010).[95] Information technology was certified gold past Music Canada (MC).[96]

Outside Due north America, "We Are Never Ever Getting Back Together" peaked atop the tape nautical chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the top ten on charts in Israel (number two),[98] Australia (number iii),[99] Republic of ireland (number iv),[100] the U.K. (number four),[101] Norway (number six),[102] Hungary (number nine),[103] and Espana (number nine).[104] It peaked at number 8 on Euro Digital Vocal Sales, a Billboard chart monitoring digital singles across Europe.[105] The track was certified platinum in Sweden and the U.Thou.,[106] [107] and five times platinum in Australia.[108] By October 2014, the single had sold over 616,000 digital copies in the U.K.[109] In Japan, "We Are Never Always Getting Back Together" was a chart success, peaking at number two on the Japan Hot 100 and remained on the nautical chart until 2015, three years after its release.[110] The Recording Industry Association of Japan (RIAJ) awarded the single a "1000000" certification for selling over one million digital copies.[111]

Music video [edit]

Background and release [edit]

A music video for the song premiered on CMT, MTV and TeenNick on August thirty, 2012, at vii:49 pm Eastern fourth dimension, and afterwards on MTV.com, CMT.com, and VH1.com the same solar day at 8:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours".[12] The video was shot like a pop-upwardly book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in ane continuous shot with no editing, and features five sets and Swift in every bit many outfits.[112] It is also the first music video to be featured in 4K resolution.[113] Co-ordinate to Swift, she wanted the video to be as "quirky as the song sounds" and stated that "In that location's just knitting everywhere; there's just random woodland creatures popping upwardly."[38] Prior to the video'south release, a fourteen-second preview was released by CMT on their official YouTube on August 30, 2012.[114] As of September 2021, information technology has over 674 meg views on YouTube.[115]

Synopsis [edit]

The video, which is done as one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on once again relationship with her ex-boyfriend (played by Noah Mills). The video then segues into Swift going into her living room where her band is dressed up in animate being costumes and Swift belts out the chorus of the song. The video and then goes to a Boob tube where Swift says "Similar, e'er." and then to the dining room where we see she returns to recounting the events of her human relationship and receives a telephone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. It then goes to the ii in a truck having an argument then to them having a stroll in the park. Swift then runs off and nosotros run across her on the phone telling the person on the other line how she and her ex are non getting back together and her frustration of their entire relationship. The video and so segues back to Swift'southward living room where a party is going on and her ex shows up unannounced trying to woo her dorsum and she slams the door in his face. The video ends with Swift on her window ledge where she was at the get-go of the video, singing the last line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to watch".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift's] tone and demeanor in the prune is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more than could you ask for in a visual for a #i pop smash?"[120] Rolling Stone called it "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in animal costumes in between human relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large spectacles and a pair of printed pajamas as she shrugs off her non-so-overnice ex-boyfriend, a scruffy, seemingly older musician-blazon with a penchant for drama."[122]

Live performances [edit]

Swift on the Red Tour

Swift performing "We Are Never E'er Getting Dorsum Together" on the Reddish Tour in 2013

Swift performed the song alive for the first time at the 2012 MTV Video Music Awards on September 6, 2012, which was held at the Staples Centre in Los Angeles.[12] [123] Swift was the terminal performance of the dark and, wearing a red and white striped shirt and black shorts, began her performance in an area resembling a recording studio before taking the stage along with her back-up singers, dancers and band (in animal costumes) took the stage.[124] Swift too performed the song live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on Goggle box Xuxa and during a concert in Rio de Janeiro on September xiii, 2012.[125] [126]

Swift performed the song on the British version of The X Gene on October 14, 2012.[127] She performed the song on the High german Tv set show Schlag Den Raab.[128] On January 25, 2013, Swift performed "We Are Never E'er Getting Back Together" at the Los Premios 40 Principales in Espana.[129] The next day, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the vocal on her Ruddy Tour nightly as the finale. A stone version of the song was performed on The 1989 Globe Tour. More recently, the song was performed as a mashup with "This Is Why We Can't Have Nice Things" as the finale on Swift'south Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June one, 2019. On December eight, she performed an acoustic version of the song at Capital FM's Jingle Bell Ball 2019 in London.[131]

Parodies [edit]

The vocal and video were parodied by teddiefilms in the fashion of Breaking Bad. The parody, called "Nosotros Are Never Ever Gonna Melt Together," was uploaded to YouTube on Oct xviii, 2012.[132] The 22nd episode of Grayness's Anatomy 's tenth flavour is titled "We Are Never Ever Getting Dorsum Together".[133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube channel.[135] Sky News remixed portions of speeches past David Cameron to brand it appear as though he was reciting the chorus every bit promotion for their coverage of the 2014 Scotland Independence Referendum.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD single.[137]

  • Taylor Swift – atomic number 82 vocals, author, producer, backing vocals
  • Max Martin – producer, author, keyboards
  • Shellback – producer, writer, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – assistant recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications [edit]

Release history [edit]

"We Are Never E'er Getting Back Together (Taylor's Version)" [edit]

"We Are Never Ever Getting Back Together (Taylor's Version)"
Song by Taylor Swift
from the album Cherry (Taylor's Version)
Released Nov 12, 2021 (2021-eleven-12)
Genre
  • Dance-pop
  • popular rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:13
Label Republic
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(southward)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"We Are Never Ever Getting Back Together (Taylor's Version)" on YouTube

Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor's Version)", for her second re-recorded anthology, Red (Taylor'due south Version), released on November 12, 2021, through Republic Records.[196]

Reception [edit]

Reception of the song mainly involved observations of her commitment of certain phrases and words. Critics observed a dissimilarity between the "wee-ees"s of the original version and the rerecorded version, with Olivia Horn of Pitchfork claiming they were more cloying than on the original version. [197] Rob Sheffield of Rolling Stone stated that the song included "a footling extra venom" when she delivered the words "trust me". [198] According to Hannah Mylrea of NME, Swift'due south vocal maturity can be observed in the spoken-word moments, including in the line: "With some indie record that'due south much cooler than mine". [199] Stephany Gehrig, writing for The Daily Titan, noted that the "we" sounded "loftier-pitched and weird" on the chorus. [200] Multifariousness posed the question as to whether the delivery of "What?" on the track was more or less insolent. [201]

Epigram's Sarah Lewis stated that "old favourites" like We Are Never Ever Getting Back Together sound "cleaner and fresher than ever". [202]

Charts [edit]

See also [edit]

  • List of Billboard Hot 100 number-ane singles of 2012
  • Listing of Billboard number-one state songs of 2012
  • Listing of number-one digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-one singles of 2012
  • List of number-ane singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The record was broken by Adele'due south 2015 single "Hi" (2015), which sold over one.ane one thousand thousand digital copies in its first week.[fourscore] [81]
  2. ^ The record was cleaved past Bebe Rexha's "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 sequent weeks at number one.[87] [88]

References [edit]

  1. ^ "Grammy Awards Winners & Nominees for Tape Of The Year". The Recording University. Archived from the original on Nov 17, 2017. Retrieved June 2, 2021.
  2. ^ Effron, Lauren (August 13, 2012). "Taylor Swift Reveals New Album, 'Ruby-red,' Drops New Single, 'We Are Never E'er Getting Dorsum Together': ABC Exclusive". ABC News. Archived from the original on October 15, 2017. Retrieved August 14, 2012.
  3. ^ Wolff, Kurt (Jan 16, 2013). "Behind The Song: Taylor Swift 'We Are Never Ever Getting Back Together'". CBS Local. Baltimore. Archived from the original on February 1, 2013. Retrieved Jan sixteen, 2013.
  4. ^ Taylor Swift (August 13, 2012). "Taylor Swift Web Chat and M+ Hangout". YouTube. Google Inc. Archived from the original on Nov 23, 2020. Retrieved August 17, 2012.
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  6. ^ "We Are Never Always Getting Back Together – Single". Apple Music. Archived from the original on Baronial 19, 2012. Retrieved August 14, 2012.
  7. ^ "We Are Never E'er Getting Back Together: Taylor Swift: MP3 Download". Amazon. August 14, 2012. Archived from the original on Baronial 24, 2012. Retrieved August 17, 2012.
  8. ^ TaylorSwiftVevo (Baronial xiv, 2012). "Nosotros Are Never Ever Getting Dorsum Together (Lyric Video)". YouTube. Vevo and Google Inc. Archived from the original on August 15, 2012. Retrieved August 15, 2012.
  9. ^ a b "AC Available for Airplay". FMQB. Archived from the original on August nineteen, 2012. Retrieved Baronial 18, 2012.
  10. ^ a b "Available for Airplay Annal". FMQB. Archived from the original on November 17, 2012. Retrieved August 18, 2012.
  11. ^ a b "Going for Adds: Country". Radio & Records. Archived from the original on July 21, 2013. Retrieved Baronial xviii, 2012.
  12. ^ a b c "Taylor Swift'southward New Video Debuts Thursday". CMT. August 28, 2012. Archived from the original on October 29, 2014. Retrieved August 28, 2012.
  13. ^ a b Sources:
    • Taylor Swift (Baronial fourteen, 2012). "Taylor Swift LIMITED EDITION 'We Are Never Ever Getting Back Together' Packet". TaylorSwift.com. Archived from the original on August 21, 2012. Retrieved August 17, 2012.
    • "LIMITED EDITION 'We Are Never Always Getting Back Together' Packet: Amazon.com". Amazon. Archived from the original on August 31, 2012. Retrieved Baronial 28, 2012.
  14. ^ Sources:
    • Taylor Swift (August 28, 2012). "FREE Aircraft: Limited Edition "We Are Never Ever Getting Back Together" Single CD". Taylorswift.com. Archived from the original on Baronial 31, 2012. Retrieved August 28, 2012.
    • "Limited Edition 'We Are Never Ever Getting Back Together' Single CD: Taylor Swift: Music". Amazon. Archived from the original on February 8, 2016. Retrieved Baronial 21, 2012.
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  18. ^ a b c d Smith, Grady (August fourteen, 2012). "Taylor Swift releases single 'Nosotros Are Never Ever Getting Dorsum Together', announces new album 'Red'". Entertainment Weekly. Archived from the original on November ii, 2014. Retrieved August 14, 2012.
  19. ^ "Taylor Swift's Fourth CD, Ruby-red, Ready for Worldwide Release on October 22nd". PR Newswire. Big Auto Records. August xiii, 2012. Archived from the original on February viii, 2016. Retrieved August 14, 2012.
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  22. ^ "Red: Review". AllMusic. Archived from the original on June 3, 2016. Retrieved Nov 16, 2014.
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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